Not so bad apples... Rotten to the Core (1965)

It’s hard not to warm to a Boulting Brothers film especially one so chock-full of silver age talent, most sadly lost, but others still very much with us and acting up a storm (take a bow Charlotte Rampling).

Rotten to the Core could fairly be described as a caper movie and one of a number riding that post Great Train Robbery sense of mixed feelings… freedom and license are two very different things and most films took the “spirit” as far as they could whilst operating within accepted morality… “hang on: I’ve got an idea…”

Charlotte Rampling and those electric eyes

Directed by John and produced/written by Roy – with some pals – the film starts with three crooks hanging on for the loot at the end of their porridge.  Dudley Sutton is Jelly Knight (geddit!?), Kenneth Griffith as Lenny the Dip and James Beckett is Scapa Flood who are chewing on the thin end of 18 months for robbery. They sing un-enthusiastically as part of the prison choir whilst passing around a suspicious cigarette (really, in 1965?) which is shared by one of the screws.

They seem pretty hapless before their parole board but they have high hopes of getting their un-just deserts after they have been re-united with their boss and criminal mastermind, The Duke or to give his full moniker, Randolph Berkeley-Greene (Anton Rodgers).  But on being greeted by his lady friend, Sara Capell (Charlotte Rampling), they find out that he has passed away with their loot lost with him.

Griffith, Sutton and Beckett

It’s sad but they have been left one last job as a gift – a bank heist that involves their blowing their way into a vault that turns out to be a police station! They manage to escape without necessarily agreeing that The Duke had set them up for a quick return to clink.

There’s more to this than meets the eye… and in this case a private eye, former plod William Hunt (Eric Sykes) who is recruited by Sara’s father Sir Henry Capell (the eternally brilliant Peter Vaughan – who has just turned 93!) to make sure she is not falling in with a bad crowd. It’s a bit late for that as we see her gallivanting about in bra and scanties with first The Duke and then military man, Lt. Percy Vine (Ian Bannen).

Charlotte Rampling and Anton Rodgers

Lt Vine is low on charm and smarts and is being used as an in for The Duke’s latest plan… as he romances Sara, the three stooges, having worked out that she may know more than she’s telling, arrive past a familiar-looking road cleaner… yes it’s PC turned PI, William Hunt merging skilfully into the background to observe his target.

The boys knock on Sara’s door and as she tries to get rid of her military mug they spot details of the Hope Springs Nature Clinic and, whilst adding up isn’t really their forte, they still work out it’s where they’ll find the Duke.

Unwelcome guests

Meanwhile Hunt disguises himself as an Indian raja advertising a new restaurant. He follows Sara to the underground but his bulky disguise slows him down and by the time he’s ditched it, she gets rid of him by accusing him of assault… strewth not Eric Sykes as well!? Only in the film dear reader…

Eric and Charlotte - inapprorpiate on the Tube?

All converge on the dodgy Nature Clinic where the Duke has all kinds of elaborately-monickered hoods looking after the inmates by plying them with spring water mixed with pure gin… no wonder they’re all so happy.

The three new arrivals want in on the action and after the Duke makes them, literally, sweat on his good favour and has his accomplice, Countess de Wett (Avis Bunnage) test them for IQ (they have none) they are briefed by Anxious O'Toole (Victor Maddern).

The Duke briefs the team

It’s an audacious plan to steal the payroll from the local army base, and everything has been planned down to the very last detail… Meanwhile Hunt is questioned by the proper police led by Thorley Walters as Chief Constable Preston… the clueless cops begin to get the scent…

Now things get really complicated as the army is due a ceremonial visit from a German general at the same time the payroll is due. All looks doomed until Duke comes up with another fool-proof innovation: he will impersonate the general and distract the army long enough for the original plan to come off…

Ian and Charlotte

Dusty verdict: Events proceed thick and fast and Anton Rodgers does his best to do a Peter Sellers/Alec Guinness in multiple roles.The three un-wise men are well played by the excellent Dudley Sutton and Kenneth Griffith in particular whilst Ian Bannen pumps up the pomposity to full volume.

Victor Maddern,Anton Rodgers and Avis Bunnage

It’s interesting – on a number of levels – to see such a young Charlotte Rampling. Everyone has to start out somewhere and this richly-talented, multi-layered actor shows she can do funny as well.

It’s neither great of laugh-out loud hilarious but Rotten to the Core is still entertaining enough for a rainy spring afternoon’s viewing.

Ian Bannen and Charlotte Rampling

It’s available from Network on budget DVD – either direct or from Amazon or Movie Mail.

Brutal eternity... Zardoz (1974)

Looking at the reviews on the IMDB many people still haven’t got this film: it’s most certainly not in the “so bad it’s good” category nor any kind of guilty pleasure that is laughably flawed. Indeed some commentators now rate it one of John Boorman’s best – just this month it made number 5 in Rolling Stones top science fiction films of the seventies.

Good science fiction is never about the gadgets on show, the flimsy clothes or the society of the future – these are just ways of looking at contemporary culture. So it is that Zardoz is about the world of 1973-4, the way it was and the way it could have been heading by 2293. How far away were the intellectual classes from a detached existence happy to arm a select group of “Brutals” in order for them to control the rest outside of their safe enclave? How far will we go to deny the external suffering that wars, famine and disease keeps away from our delusional comfort?

So, ignore the psychedelic sense of humour, the giant flying heads and the strange orange nappies of the Exterminators and focus on the Boorman’s messages about freedom, responsibility and the need to act… now. As the film’s writer, director and producer he surely meant every aspect as they are presented and this film addresses some of the same truths as his previous work, Deliverance.

The film is introduced by the disembodied head of Arthur Frayn  (Niall Buggy) who outlines the story in the manner of a medieval mummer… we are all the constructs he tells us looking straight into the camera: all made by our own Gods.

Brutal by name and nature

320 years after it was made, the World has descended into anarchy with the majority living a life of subsistence, their numbers strictly limited by teams of “exterminators” who rampage across the country slaying all they see in the name of their God, Zardoz. The killers all wear the same outlandish orange garb which might be laughable were it not for the guns and their delight in slaughtering others (imagine that dear 21st century reader?).

Zed in the head...

Zardoz appears to them in the guise of a giant floating stone head, issuing instructions and vast amounts of guns in exchange for receipt of the goods extracted from the murdered farmers. But one of these “Brutals” Zed (Sean Connery) wants to find out more and stows away hidden in some grain, he discovers the interior filled with shrink-wrapped humans being harvested for their natural energies. He spots the strange figure of Frayn who recognises Zed and tries to explain something… But Zed shoots, sending him falling to his doom and sits tight as the floating head continues on its way.

Zed and Zardoz come to ground in the well-kept gardens of what appears to be a paradise, brightly garbed young people mass around, well fed and full of almost childish wonder at the new arrival in their community: the Vortex. Two women lead the investigation Consuella (Charlotte Rampling), who’s instinct is to have Zed exterminated and the more considered May (Sara Kestelman) who wants him examined. Even in paradise there is disagreement…

Sean Connery and Sara Kestelman

Zed is confused and tries to lash out but soon learns that the Eternals have psionic powers that can easily over-power him. He is gifted to an outspoken man called Friend (John Alderton) who begins to tell his new servant of the society he has fallen into.

The people are nearly immortal with some living so long that they simply become Apathetics with no will to do anything other than just wander around whilst others break the rules and get aged as a punishment and there is a colony of such creatures who, dressed in dinner suits, wait in the hope of annihilation.

Trouble in paradise

Friend is on the diffident side of apathetic himself and longs for a change of pace even at the risk of punitive aging. The community vote on the transgressions of one George Saden (Bosco Hogan) who is docked some time for the crime of negativity.

Zed helps Friend with the artefacts

Friend was a, er, friend of Arthur Frayn  who had been charged with managing the Outlands and whom had been conducting his own unknown experiments including, it is later revealed a selective breeding programme involving Zed’s genealogical line. Whilst outside reproduction is forbidden saving these select few, in the land of the Eternals reproduction is no longer needed and sexuality has dwindled, what dangers does the potent Zed bring to the sterile society?

May continues to test Zed’s memory and capabilities and full marks to all concerned for keeping a straight face when all manner of visual stimuli fail to arouse Zed until he focuses his gaze on Consuella…  But then Zed is increasingly looking to be as smart as his captors…

Charlotte Rampling

Zed becomes a political issue and is used by Friend in an attempt to overthrow the existing order. Friend is caught and aged whilst Zed tries to escape only to find that a force field keeps him trapped in the Eternals’ land.

Returning to the community he finds May willing to show him their shared history of how an attempt to protect the last of humanity ended up dooming them to lifeless sterility under the control of an artificial intelligence, the Tabernacle. It gradually becomes clear that Zed is no chance invader but part of a deeper plan by Arthur Frayn to make or break what is left of society…

Dusty verdict: Detailing the plot of Zardoz is pretty pointless (sorry) as the story is so complex and, open ended with multiple interpretations. The actors carry so much of the meaning with Sara Kestelman being especially impressive. I saw her recently at London’s Donmar Warehouse theatre and she has lost none of her ability to express powerfully-deep thought.

Sara and Charlotte

It’s a brave choice for Sean Connery too in only his second post-Bond film and not just for the obvious reasons given Zed’s costume… he has to play a savage who gradually thinks himself into the awareness that he’s a physical and intellectual time-bomb (so only half-Bond then…). He plays well as do John Alderton – also outside of his own light-comic comfort zone and the stunning Miss Rampling (also still at work this time on TV’s Broadchurch) who’s able to convey fear masked with anger and perhaps more, her emotional subtlety the perfect match for Connery’s heroic certainty.

Zed learns the truth...

It’s a film that bears up to repeated viewing with a clever script that explains itself with satisfying twists and turns until the very end when the simple meaning becomes completely and devastatingly clear.

Buy it on DVD from Amazon or MovieMail. I believe a Blu-ray is also in the works...