"You finally really did it. You maniacs!" The Omega Man (1971)

What is it about Charlton Heston and the end of the World? He’s almost always there…

The Omega Man could be viewed as the second of his doomsday “trilogy” sandwiched between Planet of the Apes (plus Beneath…) and Solent Green and he’s the perfect man for the last man, fiercely determined, a hyper-agitated intelligently competitive survivor who always carries the sadness of his species’ ultimate failure and the thought that he should have done more…

In this way perhaps his famously total support for the right to bear arms connects to the essentially liberal concepts underlying these films: if we don’t clean up our act we’re all doomed and, if we are doomed only men like Charlton will make it through. But Heston was a complex man who supported the Democrats and civil rights in the sixties but later became a Republican claiming that he hadn’t changed the Democrats had… you can never say he wasn’t a man looking for principal.

Mr Heston and Rosalind Cash

In this film he caused a storm with one of the first inter-racial kisses in mainstream Hollywood between Heston and Rosalind Cash and I love the tale of when quizzed about by Whoopie Goldberg in her TV talk show about why such actions were still controversial even in the 1990s he leaned over and kissed her.

Scenes were filmed on early Sunday mornings - trying to catch the city quiet

Directed by Boris Sagal, The Omega Man was loosely based on the 1954 novel I Am Legend by Richard Matheson (later filmed with Will Smith) and swapped vampires for plague-infected ghouls who cannot stand the light and live only in the shadows coming out only at night to scavenge and set fire to their old neighbourhood.

It is of course 1975, the near future, and biological warfare between China and Russia has decimated mankind. In Los Angeles U.S. Army Col. Robert Neville, M.D (Heston) seems to be the last man standing having injected himself with an experimental antidote in desperation after his helicopter crashed.

The last man?

But the film starts many months after this as Neville roams free across a city devoid of almost all life. His car journey is sound-tracked by 8 track modern jazz and, when one car breaks he simply goes and gets another… talking to himself and exchanging snappy chat with the long deceased used car dealer “How much? You cheating bastard!?” He catches sight of a girly calendar and pulls it quickly off the wall – a painful reminder of what has been lost.

He goes to the movies and screens Woodstock for himself, reveling in the appearance of the multitudes and mouthing every line along with the new age optimists of the festival… how soon the people disappeared.

Watching Country Joe and the Fish

Lost in the film he walks out to street in sudden panic as dusk approaches: it’s almost dark and “they” will soon be out. He dives into his new car and drives as fast as he can to his home and sanctuary. But, he’s a little late and his vehicle is set upon by cloaked figures… he shoots most of the attackers but a few make it through into his garage and are swiftly dispatched.

This is a man at war with what remains of the world, holed up under the tightest of security with powerful spotlights trained down from a house locked down from cellar to chimney.

Charlton and gun

The cloaked figures gather outside – they are The Family, led by the charismatic figure of Matthias (Anthony Zerbe) who views the last vestige of humanity as a reminder of man’s folly, one that led to his groups mutation and doomed the world. In a flashback we see that Matthias was once a broadcaster reporting on the breaking apocalypse, now he uses his communication skills to unite his group and to lead them against the last man.

Anthony Zerbe and friend

Holed up in his fortress,  Neville has – almost – everything he needs from fuel, guns and ammunition to a chess set and a bust to play it with. He talks to himself and his immobile friend missing company but with his only hope his daytime routine of mapping out the city as he tries to find and destroy the group’s lair…

On one of these expeditions he spots a life-like showroom dummy in the form of Lisa (Rosalind Cash) – there is someone else after all… but she bolts and he runs after her only to lose her in the empty spaces.

Spotted!

Good luck is followed by bad as Neville is soon ambushed in a department store by The Family and taken for a fateful interview with Matthias. This sequence is probably the film’s central message, Matthias convinced that a new order has arisen in response to Man’s greed and carelessness whilst Neville fights on for the old order.

It looks bad for Neville...

Matthias is self-aware and knows that Neville has to die to help bind his group together… and to balance the books: one scientist to atone for the crimes of all the rest. Neville is tied to a funeral pyre in the centre of a football stadium and all looks bleak until the flood lights are flicked on and the ghouls shrink back allowing a motorcyclist to rush in a rescue Neville…

Dutch on his bike

There is a vestige of mankind still worth saving and Neville soon discovers his rescuer is medical student Dutch (Paul Koslo) along with Lisa and several children. They all have the plague but are more immune than others… unless a cure can be found they will all succumb sooner or later. Lisa’s brother Richie (Eric Laneuville) is on the verge of changing but Neville take shijm in in the hope that he can create a serum from his own blood… Meanwhile he and Lisa demonstrate what can happen when the only boy in the World gets to meet the only girl…

Out on the town

Dusty verdict: No spoilers for the film’s ending… will this be one of those seventies “dark” resolutions or is there hope: do you feel lucky punk?

In truth the scene setting outweighs the rest of the film – the idea of being the last man standing in an empty city is  a frightening and compelling one… the freedom more than outweighed by the loneliness. Sagal  directs his excellent cats well and mention should also be made of the suitably moody score from Ron Grainer.

Rosalind Cash is excellent

The Omega Man is available on DVD and Blu-Ray from Amazon. It’s one of Tim Burton’s favourite films and you can see why… a quirky near classic of period paranoia and like all good sci-fi a story that says more about the times we live in than the time to come addressing the ultimate question of whether to kill or cure?

Do androids eat electric sheep? Soylent Green (1973)

This film has haunted me since I saw the poster stuck on the side of cinemas in Liverpool and Blackpool as a child… I was far too young to see it but the images of an over-crowded future population fighting for food obviously chimed with my nascent awareness of these issues. Has it really been over forty years since Hollywood started to take climate change and over-population seriously?

Legendary sci-fi author Harry Harrison was clearly ahead of the pack with his 1966 novel Make Room! Make Room! But then Malthus got there first. Soylent Green is an adaptation of Harris’ book and was another chance for Charlton Heston to rail against “the fools, the damn fools…” that were spoiling humanity’s future (some of them carried arms Mr Heston) after his previous movie encounter with the “monkey planet”.

Another green world altogether...

Directed by Richard Fleischer the film is a grimy police-procedural in the manner of Blade Runner several years later although it lacks the latter’s period charm and invention.  It is 2022 and there are 40 million people living in New York or, in many cases, just surviving.

There is little food and so the majority live of a combination of soya and lentil, “soylent” which is delivered to the largely homeless masses in bulk deliveries protected by the local police. One of these officers, Thorn (Charlton Heston), lives in a cramped apartment with an old man Sol Roth (Edward G. Robinson in his last film). They’re an odd couple and we’re never quite sure of their connection: Sol’s an intellectual, a reader and thinker whilst Thorn keeps the peace, just about.

Charlton Heston and Edward G. Robinson

He has to clamber over dozens of people somehow living on the stairs of his building and outside the air is thick with pollution: the World’s gone green but not in a good way.

A young man is seen collecting an ice pick from another in a run-down area - it’s not looking good for someone, somewhere…

How the other, 100,000th, live

But, just when we think New York is a mass slum, we’re shown the wealthy few who exist behind high concrete walls in plush modern apartments. A young woman Shirl (the lovely Leigh Taylor-Young) is shown playing a computer game which looks suspiciously like the early arcade classic Asteroids! She turns and smiles at an older man, Simonson (Joseph Cotten).  Simonson is an important man involved in one of the businesses that keeps the new world spinning, Shilr is “furniture” - part of the live-in luxuries of the apartment block..     It’s better than the outside.

Shirl plays Asteroids

Simonson has a body guard, Fielding (Chuck Connors) who takes Shirl off shopping – they but some meat and it’s clearly a rare occasion. Whilst they are away the young man with the ice pick gains access and kills a strangely accepting Simonson: whatever he’s hiding, he clearly agrees it’s worth killing for.

Chuck Connors and Leigh Taylor-Young

Enter Thorn, who arrives to investigate the crime and to relieve the property of whatever little treats he can. Morality has clearly been impacted by the circumstances and whilst Thorn has a job to do – he’s lucky he has one at all – he sees nothing wrong in getting what he can. And yes, he has noticed the rather smart furniture and will return for a more complete viewing.

He returns home where he and Sol enjoy a splendid meal made from the meat Shirl had bought.

Brock Peters and Charlton Heston

He reports back to his commander, Hatcher (Brock Peters) and following a hunch that Fielding is somehow involved pays a visit to his flat where he finds his lover Martha (Paula Kelly), eating strawberries from a jar… that is expensive jam indeed. Something’s afoot.

Thorn goes rooting for clues... Martha hides her jam.

Thorn goes back to Shirl in the apartment and finds her hosting a party for all the buildings “furniture”, the commissar beats them in disapproval but Thorn wards him off… a good heart after all? Thorn and Shirl get closer but there are forces at work beyond just the obvious…

As in all goof cop stories, Thorn’s superiors try to ward him off the case: there’s no mystery he’s told, just a routine break in that went wrong. By Thorn’s not convinced: Simonson didn’t put up a fight and there’s nothing valuable missing. Like all good cops told to lay off he digs in deeper: his instincts being proved correct when someone tries to kill him at a food riot – it’s the man who killed Simonson (although Thorn doesn’t know it…).

Leigh Taylor-Young

How is this all connected and how is the sinister looking Mayor Santini (Whit Bissell) involved? There’s something rotten in City Hall and mush more besides…

Thorn had presented Sol with a large book from Simonson’s flat – a detailed analysis connected with Soylent Green, the new superfood. Sol takes it to a group of elders who preserve what they can of the old learnings in an old public library: there’s an awful truth that not only keeps society going but which could threaten its very existence.

The book group...

Sol is stunned as he leaves the group and then signs in at a mass euthanasia hospital: is he giving up or is he looking for more answers. Thorn arrives just as the process is beginning and as images of old green, vibrant Earth are projected around the dying old man, he gives his friend the direction he needs to solve the puzzle…

No spoilers…

What is the secret of Soylent Green?

Dusty verdict: Soylent Green doesn’t have the techno-flash of Blade Runner or that film’s more open-ended and un-resolved fundamentals. It’s a well-told police procedural mixed with some striking images of how the world might become but there’s an edge of tension missing in comparison to the later film. Perhaps Charlton Heston is the wrong kind of lead maybe he’s just too much of a hero to be the slightly self-serving Thorn. He’s certainly a tad too old for Shirl.

Too old? Charming...

That’s not to say that he doesn’t act well and, whilst his chemistry with Leigh Taylor-Young doesn’t entirely work his scenes with Edward G Robinson are engrossing. Robinson was a true great and died not long after filming was completed making his cinematic death scene all the more poignant. Needless to say Edward G is superbly moving.

Richard Fleischer directs well creating a run-down world of dowdy contrasts as Richard H. Kline cinematography sees New York cloaked in a haze of green smog. The claustrophobic uncertainty is completed by an anxious electronic score from Fred Myrow.

Sol sees the World as it was

Overall, I’ll keep my VHS and transfer it to digital media… it seems fitting technologically: Soylent Green’s world is not hi-tech and Blu-ray but rather techno-make-do and mend: it just about works.                    

But if you want the clean screen view, Soylent Green is available on DVD and Blu-Ray form Amazon.