This is a slightly odd but none-the-less interesting film… there were quite a few generational conflict films around the turn of the sixties but to my knowledge none were filmed in Bristol. I also can’t remember any that were effectively an advert for the Duke of Edinburgh's Award, with all proceeds going towards that scheme and the National Playing Fields Association
Preachy? A
little but as Kenneth More’s philanthropic mover and shaker says repeatedly,
they’re not trying to tell anyone to do anything just offering up and idea that
they – the young - can take or leave: a pretty cool philosophy for the bored
teenagers in the audience. Anyway, are we all too cynical to even countenance
the idea that the DofE is a worthwhile enterprise?
Some People
tries to lead by example and is skilfully assembled by director Clive Donner
and scriptwriter John Eldridge, whose experience had mostly been in
documentaries – his eye for detail keeping things reasonably real throughout. Cinematographer
John Wilcox also gets the most out of the locations and film is almost a
travelogue for Bristol: from the Clifton Bridge to the Christmas Steps and the
covered market it’s all here along with a working dockside. Bristol feels more
real than sprawling pre-swinging London and the cast’s efforts at the local
sing-song are an entertainment in themselves!
The film starts with a trio of “ton-up boys” looking for
something to do there’s deep-thinking Johnnie (Ray Brooks), tightly-wired Bill
(David Andrews) and spotty Herbert Bert (David Hemmings, just five years away
from being the coolest man on the planet in Blow
Up…). They take their bikes out for a tear up and end up almost causing an
accident on the bends below Clifton. The Magistrate holds back from throwing
the book at them but still disqualifies them from driving for a year…
At a loose end the lads wander the streets looking for
something to do: they have so much time and energy to burn. They walk into a
local church and Johnnie plays some inappropriately syncopated rock on the
organ before being interrupted by the vicar who hands the matter over to the
choirmaster a man of clear authority called Mr Smith (Kenneth More, an actor of
clear authority…). Mr Smith plays it cool and when the boys explain that they
love music but have nowhere to play; he offers them the church hall as a venue.
They return the following evening and set up after the
rather impressive choir has finished practice, kicking into to some
post-Cliff-pre-Beatles rock that sets the foot tapping of Mr Smith’s daughter Anne
(Anneke Wills, later an assistant to both Hartnell and Troughton’s versions of
Doctor Who) who is especially impressed with Johnnie.
The band needs percussion and next time up this is
provided by a member of the youth club, Harper (Richard Davies) whilst Bill’s
girl Terry (Angela Douglas) picks up vocals on her own insistence and she can
sing, albeit in the “boyish” manner of Helen Shapiro as the band bashes out the
film’s theme tune: 'Some People think that
kids today have gone astray… Well they should know cos they were kids once too'
(an E.P. of the soundtrack was made available by Valerie Mountain and the
Eagles…)
Rock and, some people might say, roll... |
But Terry’s got her eye on Johnnie and Bill has his
doubts, not just about her, but also Mr Smith’s motives: there has to be a
catch. But when confronted, Mr Smith just explains what opportunities are
available through the DofE and disarms any objections by telling the boys
that they can take it or leave it.
The Flaming Pencil |
Smith’s day job is as an engineer testing planes over at
Filton by that time home to Bristol Siddeley, maker of high-powered engines.
There’s some thrilling footage of the advanced test aircraft the Bristol 188, The Flaming Pencil, as well as a
factory packed full of partially-constructed Handley Page Victors awaiting
their engine fittings… call me a nerd but these were great planes. This, the
film appears to say, is what you can do if you apply yourself.
Spot the unfinished jet planes! |
Johnnie and Anne’s relationship grows and Mr Smith
arrives home to find his daughter sitting in the bath trying to shrink-fit her
new jeans as tightly as possible, he takes it all in his stride, well the
shrinking strides anyway.
Anneke Wills suffers for her art |
But things begin to unravel as Bill detaches himself from
the group in conflicted rebellion, partly to avoid Terry’s rejection but also
to avoid what he views as the assimilation of the more academic Johnnie and the
eager Bert who annoys him by taking too much pride in canoe making.
Things come to a head when Bill and his biker buddies
force a fight at the church hall and leave everything in tatters.
Rumble at the church hall! |
Johnnie takes the blame and goes drinking with his father
(the excellent Harry H. Corbett) who is desperate to connect with his son even
whilst he realises that the same barriers existed with his own father. We could have done with more of this
conversation but I guess that’s the point.
Johnnie knows he must follow his own path and make his
own future… and he’s seen enough to know he must look at every opportunity…
Ray Brooks and Harry H Corbett |
Dusty verdict: Some People works principally because
cast and crew know just where to draw the line. More, who apparently did the
film for free as he believed in the D of E programme, anchors everything with a
calm honesty and the moral certainty of a man who has succeeded on his own
terms. His “reward” was Angela Douglas who he later married… She acts well and
amongst her frets and frowns reveals a delicious little crush on Johnnie.
Ray Brooks gives a compelling performance, shrewd and
measured in comparison to David Andrews’ Bill, whose energetic cynicism provides
him with only fitful direction and strategies. Anneke Wills gives the kind of
nuanced performance that would be later overshadowed by screams during her
stint with The Doctor and David Hemmings doesn’t just act young he is young!
Young David Hemmings and Angela Douglas |
Some People is
now available on very cost-effective Network DVD, through Movie Mail or Amazon.
It doesn’t set the World on fire but it’s an interesting snapshot of a more
earnest society when our industry and ingenuity seemed forever to be carrying
us forward.
Hi, enjoyed reading this blog after seeing "Some People" film for the first time; I watched the film as a fan of early 60s music and bikes, so a great surprise to see aircraft too, my other love !. Like the film I was born in 1962 just across the Severn from Bristol, I recall seeing prototype Concordes flying high over our primary school on test flights out of the Bristol Filton factory as featured in the film. However I'm amazed that an author describing himself as a "nerd" thought the large aircraft shown in the factory were HP Victors ! In almost every way these are clearly NOT Victors, they are English Electric aka BAC Canberra's, presumably awaiting being up-engined to Bristol Olympus spec. Thanks for the otherwise excellent blog, and wasn't Kenneth More a lucky lad !!
ReplyDeleteYou're spot on, I don't know why I thought they were Victors - they are Canberra's. My Dad was in the RAF and saw the prototype fly. I *wanted* them to be Victors... I Thanks for the correction and for reading! This is a splendid film and yes, Mr More was a lucky fella! Best, Paul
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