Wednesday, 30 November 2016

Confessions of a Freudian Psychologist... Intimate Games (1976)

Heather Deeley
Those seventies Brits and their comedies of sex… they rarely manage to sustain the funny whilst being too slapstick for anything other than the mildly sensational: erotica isn’t naturally hilarious especially when it’s smothered in carry on capers and clinging on to a flimsy premise for dear life.

However, it is not so simple and like others in this genre, it would be unfair to dismiss Intimate Games too readily.

True the story is a little slack… a group of psychology students are encouraged by their tutor to spend their summer term researching sexual fantasies; their own and others around them… to find the hidden life of the everyday – the stories we tell ourselves to keep our pecker up as it were.

OK George, it's your job to hold this all together!
Directed by Tudor Gates, best known for co-scripting Barbarella and a host of period cult horror, the film is most notable for featuring a host of sex-com starlets including future property millionaire Felicity Devonshire, Suzy Mandell, Anna – daughter of Ingmar no less – Bergman, the lovely Heather Deeley, Maria St. Clare (they’re all lovely actually) and a fleeting, uncredited, Mary Millington as a choirgirl (no typecasting…).

Mary Millington in the choir
They are supported by the finest male comic actors available at that time or at least that week… along with Lionel Blair’s sister Joyce.

The students, improbably located in Oxford (they don’t really seem posh enough) are put into pairs by their tutor Professor Gottlieb (the inestimable George Baker) mostly girls and boys except for Marion (Deeley) and Erica (Mandel) – guess what’s going to happen there?

Heather and Suzy
The laddish John (sitcom regular Peter Blake) is nervous of his experienced partner June (Maria St. Clare) who strips off to put him at his ease and take his wandering eyes away from the distraction of her chest: now he doesn’t know where to look… this never happened in Economics!? He’s far too uptight for his own good and not surprisingly as his father is Hugh Lloyd, a man who has unnatural thoughts about pigeons…

Maria St. Clare
Another couple features the sparky Felicity Devonshire as Cathy and a rather reserved young man, Benny (Edward Kalinski) who, unfeasibly, is ashamed of his rather outsized member. Once Cathy discovers his secret, her attempts to bring him out of himself are fired by a new level of enthusiasm.

Felicity Devonshire
Suzy (Anna Bergman) and the geeky Nick (Chet Townsend) make up the remaining couple and seemingly have no spark… whilst Erica wastes no time in convincing Marion to take a walk on the wild side in the film’s longest love scene…

Anna Bergman
The crew gradually head home for the holidays and John encounters a bored blonde in the back of a Rolls Royce (Lindy Benson) who’s keen on extending more than courtesy to a hitchhiker – although it could easily be another fantasy… hard to tell. More revelations are in store once he gets home where we discover his Dad’s pigeon stroking is a substitute for one of the smoother areas of the female anatomy and the real shocker that his mum is Queenie Watts!

 Hugh and Peter: pigeon fanciers
Joyce Blair turns out to be Erica’s Mum Beryl, a pub cleaning lady who dreams of being a showbiz dancer partnered by dress-suited hunks – typecasting for the Blair family but Joyce looks funny as a cleaner!

Suzy’s Uncle Rodney (the genuinely great Ian Hendry) is far more interested in the pink than the red as he imagines her naked during a game of snooker and mentally undresses his maid Hazel (Normaline) at the same time: it’s all a bit seaside-saucy but, in the cut I saw, there’s little more than posing and Sidney James gurning.

Actual homework...
Almost the only scene involving academic “homework” sees June interviewing a frustrated housewife (Susan Glanville) who quickly turns from frantic close-up dusting to thoughts of being ravaged on the kitchen table… the only thing missing is Jimmy Young on Radio 2 in the background.

The story seems to have forgotten itself and rushes in a few random scenarios just to illustrate its point: Johnny Vyvyan plays a Jockey In a bizarre sequence in a cinema: he ends up riding a generously proportioned lady (Claire Davenport) illustrating perhaps that there’s no right or wrong fantasy, just what works for you…

Uncle Rodney tries to concentrate on his game....
Spoilers: And so the students return to class, a new term to begin. Some have changed and none more so than their professor… has it been a summer of over work or has he just got too close to his subject and his class: he looks around and sees all of the women naked allowing ample opportunity for the audience to assess their assets. He’s tense and nervous; can’t relax and, focusing on Heather Deeley, he cracks and makes a grab. So… enjoy your fantasies but don’t let them get the better of you as even this highly-trained academic did? A mixed message for a film in search of some kind of ending and the chests of all five female leads provided the opportunity to send the fans away happy.

The Professor lunges at Heather
Dusty verdict: This can only be a guilty pleasure… a reminder of seventies sexuality and a treat for all those old enough to appreciate an illicit glance at adverts for films starring Heather, Suzy, Felicity and Mary M, but who were far too young to go and see them.

The film pokes fun at the frailty of human desire whilst also being as artful as it can in playing to the watching audience’s tastes.  It’s not just the Professor who is driven to distraction… that’s kind of the whole point. Sexist, exploitative and all the rest, Intimate Games does have the final laugh at its audience’s expense.

With or without a dirty mac, DVD’s are available from Amazon.

Saturday, 12 November 2016

Three's a crowd? Monique (1970)


You’d be forgiven if you were expecting a bit of slap and tickle from this Trigon film but in its own way it’s gently subversive and in general its production values lift if above most sex “comedies” of the period.

The plot is developed carefully and there are real, complex characters at the hearts of this: I don’t know where the patience and commitment came from but the end product is touching… and also ambiguous. The nearest we get to some phwoar moments are when Bill (David Sumner), the frustrated husband at the heart of the story, eyes up blonde bombshell Carol Hawkins (here listed as Carolanne Hawkins) but even their interaction has a contribution to the plot: it’s not just gratuitous.

Bill and Jean's street
At times, with the location shooting in a fresh new 1970s terrace a lot like Bob’s in The Likely Lads – all fresh turf and aspiration – it could be a sitcom especially given Bill’s struggle to meet the demands of his libido with his wife, Jean (Joan Alcorn) far more interested in other things.

Jean’s desires are more towards her career and getting a balance between work and the demands of motherhood. She’s still planning away after Bill moves on her one night and his efforts at arousal barely distract her from thinking it’s time they got an au-pair.

The space between them: Joan Alcorn and David Sumner
Switch forward and a nanny duly arrives in the form of the fab-gear sexy Monique (Sibylla Kay) a French girl looking for some extra pennies and a place to live in London. Bill is immediately taken by her white leather boots, short skirts and trendy skirts but she’s also a good cook who instantly charms their children.

As Bill casts furtive glances at Monique’s legs she’s chatting away to Jean in French and awakening a more cosmopolitan side of the house wife. Naturally the children are impressed and it seems they have got lucky.

Jeana nd Bill welcome Monique
Monique has a boyfriend in France but is free and easy picking up a young man Richard (Howard Rawlinson) largely on the strength of his driving a sporty Mercedes. The two go on a date, much to Bill’s chagrin, and things go boringly for Monique as she sits in her beau’s favourite bar. She makes him break into a football ground and the two kick around until the police come and chase them away: this is a woman who likes to take risks and run with instinct.

Bill can't hide his interest

Back at the house Monique sends Richard off on a promise and finds Bill waiting up for her… one thing leads to another and with Jean soundly asleep, the two fall into Monique’s bed…

So far so predictable but whilst Bill has a spring in his step at last, there’s a lot more going on than he knows.

Seasons greetings
It’s a complicated Christmas… Jean and Monique giggle like schoolgirls on shopping trips to sixties Christmas past and pivotal events take place from the vantage point of Bown’s camera looking down on the living room as Monique applies the tinsel, Bill dresses as an unconvincing Santa Claus and Jean wraps presents. Bill leaves the women to it as he goes to search the garage and, as the two women look closely into each other’s eyes… something happens but Bown’s smart enough to only show the aftermath: Monique alive with naughty energy and smoking a tell-tale cigarette, Jean avoiding everyone’s gaze and Bill completely oblivious.

Something's changed...
We’ve been teased and the film is all the better for holding fire on the specifics… there’ll be time for that later. The immediate impact is seen when Jean goes up to bed and makes passionate love to her rather shocked husband.

Jean is re-awakened
Spoilers… So Bill is in a state of bliss with both women ensuring that his conjugal cup over-floweth… But two can play at separation of emotional engagement and Bill can scarcely believe his eyes when returning home early to find that Jean is also enjoying Monique as much if not more than he.

Cue a trip to the pub, a dazed, un-consummated liaison with Carol Hawkins and soul searching all round. Time for Monique to step in and make sense of everyone’s feelings over dinner, a crowded bedroom and post-coital considerations on Woolworth’s-procured abstract art…

Pay attention! Bill's mind is definitely not on the job...
Dusty verdict: John Bown directs well – he also wrote - and crafts an above average drama that skips lightly over its still quite shocking subject matter. Bown’s wife, Sibylla Kay, injects considerable character into Monique who is an agent of change and a carefree challenger of routine be it an evening out or a marriage drifting well beyond the seven-year itch.

But there’s something about the ending that suggests Monique has done more than just jump-start Bill and Jean’s marriage… things may never be the same again and Bown leaves more questions than answers in an ostensibly complete ending.

When was the last time you did something daft?
Maybe it’s just a warning to Jean to not get caught sleep-walking again or maybe there are other possibilities… and Joan Alcorn is particularly impressive in showing Jean’s hidden depths: if the film has a hero it’s actually her.

The tone is however always light, and whilst not a comedy as such the film has a few smiles to lighten the tone of what could have been a far more serious and consequential story.


There’s fine music provided by Jacques Lousier and his trio (was that a subtle cross-ref?) which sounds almost completely as if it’s from their Plays Bach 3 LP originally recorded in 1959 and therefore not written especially for the film. It is great stuff, one of my favourites from my parents’ music collection and it brings back memories of listening on the radiogram in beige-walled living rooms just like Bill and Jean’s…

Monique has now been re-released on DVD by saucy Screenbound Pictures as part of their “Slap and Tickle” series: don’t believe that hype; there’s more to Monique than meets the eye.